Turumeke Harrington’s new exhibition Gentle ribbing is a birth, a coming into being with a lifetime ahead. The exhibition of sculpture and major installation features a huge, brightly coloured quilt.

Oceans turn to goo is an exhibition of photography and sculpture by artist Ted Whitaker, based on physiological mutations that are common with surfers.

In Loose Parts and Joyful Mayhem artist Rebekah Rasmussen explores the boundaries between a child’s and an adult’s creativity.

Sometimes art making feels like an act of self-acceptance. What are these tangled, drippy, complex, funny things? They are you, and me, and what’s between us. They push and pull, unravel and stick together. They are proud and stand up. They are tired, and slump against a wall, their back drooping and moulding to what’s already there.

A pop-up exhibition showcasing work from the residents of Toi Pōneke.

Robbie Handcock’s practice draws from an ever-evolving archive of gay erotic material, working towards a queer visual language in painting.

Depictions of queer sexuality are used to discuss ideas of desire, taste and lineage.

Intuitive messy mark making meets a colourful, hard-edged geometric practice in this exhibition of new work from Gary Peters.

An exhibition of new work by the 2019-20 Toi Pōneke New Zealand School of Music Artist in Residence.Why is matter so intelligent, though? explores the acoustic relationships between reef fish, sea urchins, snapping shrimp and other marine life forms in the Hauraki Gulf, considering the symbiotic interdependencies of these organisms through sound.

Toi Pōneke is calling for applications for our 2020 Visual Arts Residency